LeJobart is an artist duet, comprised of husband and wife Béju and Muriente. Individually, they create their own art, Béju as a sculptor and Muriente as a performer. Working together, Béju becomes the maker and Muriente the visionary. In unison, they write and perform short plays that demonstrate the interaction of two individuals within a couple. In large urban settings, their work translates people's perspectives and future projections into reality, today. Their goal is to facilitate social and physical changes in the city through urban acupuncture projects that serve as a catalyst for the regeneration of dormant social networks and capital exchange.

Muriente: " I am eternally in search for Tohu Bohu, the chaos within the void."

Aided by her "contagious enthusiasm", Muriente has embarked in creating collaborative cross-disciplinary live art projects under the lens of Urban Acupuncture. Through the process of grounded theory, she identifies a story or "local knowledge" from which inspiration to create a small-scale intervention serves as a catalyst to transform the larger urban context. These subtle interventions can resonate into a broader impact on the collective subconscious of those living in the city. Muriente’s creativity focuses on happenings, performance art, art installations, and live art in both solo shows and in directing others as a group in collaborative work. As an Instructor in Urban Planning at FAU, she works with students on short-term "Urban Intervention" assignments, which are 1:1 scale installation and performance pieces held outdoors in the urban landscape. As an artist, she likes to reveal and interpret the narrative found in the urban realm.

Béju: "I want to die with a smile on my face."

Beju’s necessity to create is driven by the challenge of the unknown through which he expresses himself. Self-taught, he started mocking his environment by carving wooden "trompe l'oeil". These finely detailed creations are so deceptive; they are real until you touch them. Beju would knit, melt, bend, and stitch wood, bringing it to life by carving critters. The next phase of his creativity involved considering interactions of shapes of various recycled materials, mainly stainless steel tubes and wooden pallets. This work is grounded in Descartes' famous "Cogito ergo sum" (I think Therefore I am). Descartes explained that the simple fact of questioning our own existence proves that we do exist. Expanding from this quote, Beju’s modus operandi has become "Cogito, ergo sum, ERGO FACIO" (I think, therefore I am, THEREFORE I ACT). Dwelling on this premise, his sculptures illustrate the intricate and variable scale of involvement of Thought versus Action as they both progress in inseparable unison within us. More recently, Beju has created a much more ludic form of expression "Alley Dudes". Born in the alley, Alley Dudes were inspired by his fascination for Paleolithic cave art found in his home country, France. Profoundly attached to the origins of human art, these PVC sculptures are a contemporary interpretation of body language through candid line forms. The power of their expression engages the viewer to complete the piece by imagining its details such as facial expressions and hand gestures.